All That Democracy (Jazz)

Miles Davis

Miles Davis

There’s an organization called Jazz At Lincoln Center. It’s a great resource for Jazz music. This is from their mission statement.

We believe Jazz is a metaphor for Democracy. Because jazz is improvisational, it celebrates personal freedom and encourages individual expression. Because jazz is swinging, it dedicates that freedom to finding and maintaining common ground with others. Because jazz is rooted in the blues, it inspires us to face adversity with persistent optimism.

As I heard someone say the other day, “Let’s break down that prose.”

from Pops journal

from Pops journal

So there you have it. Maybe you already love Jazz, maybe you do and don’t know it. Or, maybe you haven’t really tried it yet. If you do, give it time. It’s an acquired taste. The Jazz At Lincoln Center is a great resource. Visit http://www.jazz.org

Here’s what I really wanted to tell you about—a project called “Recollect”. I love storytelling, remembering and recollecting. So this project fascinated me from the start.

Recollect is a project of short videos where a famous jazz musician goes into a record store to dig through the crates of jazz albums. While they do this they tell stories. (I'm adding to my bucket list to be present for the filming of one of these episodes). These are jazz stories and so they are also democratic stories. They are important because they can give us a context to understand more about ourselves.

Of course jazz is not the only musical genre that’s important in this way. Country music is also rooted in personal story. And, without a doubt, there is no more heart-felt music than the poetry of the early hymn writers. I can prove it. Read the lyrics to “It Is Well With My Soul”, or “Great Is Thy Faithfulness”, of “When I Survey The Wondrous Cross”. Here’s a sample:

Were the whole realm of nature mine,
That were a present far too small;
Love so amazing, so divine,
Demands my soul, my life, my all.

Talk about remembering and recollecting; I’ve heard those words all my life and they move me like I’ve just heard them for the very first time.

Well, back to the Recollect project. What first caught my attention was a video episode of the project featuring a jazz pianist named Helen Sung. Helen was introduced to me by my dear friend Mako Fujimura. I heard her play with her band at the Jazz Standard in New York City. She is one of those who can tell a story with a piano.

That prompted me to watch other episodes of the project. My favorite to date is one that features Jimmy Cobb.

Jimmy Cobb was one of the drummers I tried to emulate back in the day. He played with Miles Davis on a album called Kind Of Blue, the album that first drew me to jazz. The band on that album is a who’s who of jazz: in addition to Miles Davis and Jimmy Cobb, there’s John Coltrane, Paul Chambers, Bill Evans and Wynton Kelly.

If you haven’t yet, give Jazz a try. This album is a great place to start. At least watch the Recollect videos on Jimmy Cobb and Helen Sung. Listen to their stories. Really, really listen.

In review: Jazz & Democracy. Improvisational=sometimes we have to make it up as we go. Freedom and expression. Swinging=there is a groove. Sometimes we march to the same beat, sometimes we don’t. Rooted in the Blues (stories)=It is important. It’s the thread of our common fabric.

Pianist Bill Evans

Pianist Bill Evans

What's Age Got To Do With It?

WHAT DO YOU GET when you put together a group of people ages 78, 64, 67, 41, 37, 82,  and 36?

Charles Lloyd & The Marvels.

Charles Lloyd & The Marvels

Charles Lloyd & The Marvels

On January 15, 2016, Blue Note released I Long To See You, the profound new album from Charles Lloyd & The Marvels. The album finds the iconic saxophonist and recent NEA Jazz Master in the company of a new band featuring guitarist Bill Frisell and pedal steel guitarist Greg Leisz, along with his longtime quartet members bassist Reuben Rogers and drummer Eric Harland. The album also includes two remarkable guest vocal appearances by Willie Nelson and Norah Jones. — from Blue Note.

The release of this album alone is worthy of a blog post, but that’s only a small part of the reason I’m writing this.

My main point is to highlight the beauty of a multi-generational collaboration, and even more broadly, to acknowledge the power and potential of multi-generational friendships.

I came to this conviction first by seeing it at work in my own life, and then I began to notice it in all walks of life. As I have written before, I am a tested and confirmed introvert. My batteries are recharged in solitude. That’s not to say I don’t have close friends or that I enjoy spending time with friends. I do. But I prefer to spend that time with just a few at a time in a quiet, intimate setting like a coffee shop or bookstore. I’m not saying this is the way it should be, but it is what I prefer.

One day I just sort of noticed something about my friendships, or maybe someone pointed it out to me, but I can count on one of Mickey Mouses’s hands the number of close friends I have that are near my age. Most of my friends are much younger or older than me. I don’t know why. I have a theory or two. But, nothing certain. Maybe I don’t need to know why. I may know more by tomorrow sometime.

Tomorrow night, Charles Lloyd & The Marvels are playing at Jazz At Lincoln Center in New York. I will be there in spirit.

Tomorrow at Noon, I will be having lunch with some of my favorite people. One is 20-something, one is 30-something, one is 60-something and the other is 80-something. I plan to ask them how they feel about being a part of a multi-generational collaboration. I’ll let you know how it turns out.

Can You See From Where You Are?

I HOPE YOU SAW the segment on 60 Minutes last Sunday night, reported by Wynton Marsalis. The segment was called The Virtuoso: Marcus Roberts. Here's a link to the video in case you missed it.

Marcus Roberts (CBS News)

Marcus Roberts (CBS News)

The story begins:

Marcus Roberts lost his sight as a child, but gained incredible insight into American music -- inspiring a generation of jazz musicians. Marcus went blind when he was 5 years old. And soon began trying to make sense of life in the darkness. He was unusually curious, and even tore his toys apart just to find out how they worked. Roberts developed a powerful, analytical intelligence, capable of producing music that will move your mind as well as your body. The story of his genius begins with a precious gift from his parents: a piano. His mother Coretta is sightless too, blinded by glaucoma. She remembers the pain of having to leave school in the seventh grade because she couldn't see the blackboard.

Don't you marvel? Think of these people who are sightless, but have such keen insight. One of those people, Helen Keller, reminds us that there is something worse than being sightless:

It is a terrible thing to see and have no vision. -- Helen Keller

I couldn't resist adding this photo of our grand-girl Harper. I don't know what she is imagining seeing through her "binoculars" (upside-down, no less), but clearly, whatever it is, is magnificent.

As we age, we seem to lose our vision. I'm not talking about our eyesight, although that happens too. But let's face it; we do NOT see the things a young child or a blind jazz musician does.

My dad will be 90 soon. He has lost most of his eyesight, but it seems to me like he "sees" more than he ever has, and he has always been an insightful man. So maybe there's hope for me. Maybe I won't become visionless. I want to look through the binoculars, or the camera, or the lament of the Blues, or a quiet Saturday morning enjoying a good, strong cup of coffee and the company of my Amazing-Missus, and SEE something I've never seen before.

And ultimately, there is that promise. Remember the verse? “Eye hath not seen, nor ear heard, neither have entered into the heart of man the things which God hath prepared for them that love Him.” 

Several years ago now, death came way too soon for my cousin, "Bobby." He always had a toughness and swagger than I admired as a little kid looking up to him. He seemed to see things I couldn't. At his memorial service, he wanted a certain song played. I've never heard it played at a funeral since. Maybe it was just apropos for Bobby. It goes like this:

I can see clearly now, the rain is gone, 
I can see all obstacles in my way 
Gone are the dark clouds that had me blind 
It’s gonna be a bright, bright 
Sun-Shiny day. 

I think I can make it now, the pain is gone 
All of the bad feelings have disappeared 
Here is the rainbow I’ve been praying for 
It’s gonna be a bright, bright 
Sun-Shiny day.